A few days ago I finished a revision of an unpublished manuscript. I have submitted it previously to my publisher but initially, I composed it as one book and it weighed in at a hefty 200K+ words, which is just not viable for a print book these days. Yet, after painstakenly condensing it and breaking it into two books, it was still passed over. It is not a critique of the work or the story so much as whether it meets the publisher’s overall preference for genre. You see, it’s a quirky story like Fried Windows, but it is more of a coming-of-age tale with a good bit of romance in it as well. It tells the story of Brent Woods coming to terms with his true nature as a wolfcat and his experiences during his senior year of high school. As you might expect of a book set in the mid-1970’s, there is an overall nostalgic feel to it and, of course, it is also filled with magical realism, since the main characters are wolfcats and witches.
Long books, especially when an author is nurturing a following, are not necessarily a good gamble for a publisher’s investment. However, I feel the story told in the manuscript is essential to understanding Brent Woods, the main character in the Fried Windows series. It even serves as the backstory for Pamela Roberts, a character who appears in the soon-to-be-published Ninja Bread Castles (coming April 13, 2022), the second book of the Fried Windows Series, and Dawn Penobscot, a character who will appear in book 3 of the Fried Windows Series.
There are some other unpublished manuscripts hanging around in ‘limbo’, which is what I call one of my computer’s storage drives that contain lots of my writing which may or may not ever be published. You see, it is a writer’s job to write and in order to do that, sometimes you create character profiles that evolve into background stories that allow for a better understanding of a character’s influences and motivation for a work that becomes published. Still, for those readers who become heavily invested in characters, knowing the full backstory is compelling enough that it merits an author sharing the notes in a story form. For that reason, I’ve decided to publish Brent’s story as chapter installments via Medium.
The process of publishing through Medium may take a year or so to complete. There are currently three books in the ‘It’ series (Finding It, Going For It, and Losing It) that are at a point of being ready to post as chapters for consumption. And, in the future, there is another story that I may bring to the world in this same way. That one goes much further back in Brent’s life, to the time when he was around 7 or 8 years old.
Published December 15, 2021 by Pandamoon Publishing #Fantasy #Magic #Adventure
Madison Rosewood returns to the cloaked magical world of Everly on a mission to find her mother, unite the kingdom against her tyrannical father, and stop the execution of the Magics once and for all. Before her revolution can even begin, however, Madison quickly finds her new life in flames.
As she prepares for the upcoming confrontation with her father, Madison grapples with her masked grief as she struggles to both control her new magical abilities and be the leader that her friends and Everly expect her to be. Vengeful villagers, blood-thirsty mermaids, deadly energy storms, and unexpected romances challenge her at every step. Forced to turn to her enemies for help, Madison faces revelations and betrayal and in their wake must make a decision that will change every relationship she has in Everly, including the one with herself.
In the first book of the series, Bonney focused on establishing characters, the conflicts that would play out not only over the course of the first installment of the story but also the entire series. She also did a great deal of world-building so that we could experience the realm of Everly through the main character’s eyes. This is essential in fantasy writing because the physics of the created world might operate differently than the world with which we as readers are familiar. Since magic plays a key role in this story, ground rules were set for how it works and what the limitations are for its use. And the reader needs to know whether magic depends on the peculiarities of certain species or individual characters who may have mastered their abilities to stand out as somehow unique from others even of their own kind.
Bonney introduced us to Madison, who hates her nickname, Mad Dash, which she earned from her amazing speed on the high school track team, something that also gave her hope of a college scholarship. Despite her great ambitions, she suffers from several internal conflicts about her past and not knowing much about her parents, information about which her aunt who has cared for her since she was an infant has not been forthcoming. Her aunt has also been obsessed with preparing her with warrior skills well beyond mere self-defense. The adventure begins when Madison and her best friend Jason are lured into the fantastic world of Everly where magic is real and much less restricted than it is in our world. We are also introduced to the variety of mythical and magical beings that populate Everly.
In Book 2, Meg Bonney’s imagination unleashes greater detail and substance for the reader to explore as Madison and Jason return to Everly on a mission to save the magical beings from persecution and lead a revolution that everyone knows is necessary but hardly anyone seems eager to join or eagerly support. Madison’s heart is still broken over her tragic loss which intensifies her internal conflict. She is as irrational as any other teen can be, and her focus is divided at times, but her motives are pure. She wants to save Everly from her father who she blames for everything wrong with her life and Everly. In a real sense, the fantastic world around her seems to reflect her confusions and frustrations, serving as a metaphor for her life. She seeks revenge against her father and his tyrannical rule but also she fights against her own failing and uncertainty. What results is a solid and necessary next step in advancing the story and setting the stage for the third installment in the series.
Returning are all of the primary and most of the secondary characters from book one with whom we are familiar and whose stories we have invested in. But as the variety of Magics is expanded the reader experiences the diversity of culture and customs lending more of a realistic feel to the story. As was true of the first book, the story continues to have believable dialog despite the magical elements of the story and the fantastic environment of the settings. For example, Madison and Jason live comfortably safe amongst the Trolls who are extremely gifted at preparing meals. We also learn more about Mermaids and Witches as the story progresses and we root for the revolution that suffers as much from its ambitions as its disorganization. And there are some secrets that were hinted in Book 1 that are revealed as well as a surprise ending that foreshadows the major conflict ahead in Book 3.
Will Madison resolve the issues with heritage and spare her friends in Everly from the prohibition on magic? Rosewood Burning provides an exciting escape that I highly recommend as a continuation of the Everly franchise, which by the way, has been optioned for a future film or TV series.
About the Author:
Author Meg Bonney is a paralegal by day, a TV reviewer by night, and a writer every moment in between. Meg enjoys stories with strong emotional relationships that aren’t necessarily romantic. Her TV watching and writing have always been more focused in the sci-fi/fantasy genre where the stakes are high and the consequences are dire and because fairies, mermaids, monsters, and witches make her happy. Meg lives in Wisconsin with her husband, her two young daughters, two cats, three hermit crabs, and one very spoiled fish. Meg enjoys impromptu dance parties with her daughters, strong coffee, baking, and getting way too emotionally invested in fictional characters.
As a father of three, two of them daughters, I struggled to find heroic stories to read to my girls. It was easy to find such fare for my son, but there was a gross absence of children’s books that offered a brave female with whom my girls could identify. And so I fabricated a few stories to tell them at bedtime. But the experience made me acutely aware of gender bias. And it has not been limited to children’s books. Gratefully, that is changing in all age groups, largely due to the explosion of great female authors who are unafraid to buck the system and create strong female protagonists in genres that in the past have been dominated by male main characters.
I had the great fortune to read an early version of 10 DAYS by Jule Selbo. Honestly, it read like a finished work with nothing major that I saw needing to be addressed, which didn’t surprise me. Selbo is a highly competent writer with oodles of experience as a playwright and she wrote numerous screenplays while working in Hollywood. Recently she has become an award winning novelist as well. 10 DAYS: A Dee Rommel Mystery #1 is her debut foray into Crime Mystery fiction, a genre she loves reading.
10 DAYS’ plot is solid, engaging, and compelling. The pacing feels perfect, building suspense toward a thrilling climax. Selbo’s cast of characters, even the minor ones, are authentic, well-developed to the point that some will become your friends while others will feel like enemies. The protagonist, Dee Rommel is, in a word, remarkable on so many levels that she is destined to become a fan favorite. She is a quick-witted badass in ever sense of the word with a burning desire to find justice for the wronged. It often compels her into risky, ill-advised, confrontations with bad guys as she champions her friends and family. And she does it all without toting a gun.
What Selbo accomplishes more than adequately establishes bedrock for the series yet to come. She creates an endearing female noir private investigator with whom most of us can identify. Selbo pays homage to genre archetypes while venturing into some largely uncharted territory, allowing the reader to share Dee’s dilemmas as well as overcoming the pain of her daily routine. We cheer for her because she’s just the kind of heroine who could easily be a sister or cousin. Her strong, overriding sense of justice and loyalty to her friends and family drives her always, even against mounting odds as her principal foil is fully revealed and fleshed out.
The book releases to the public worldwide on August 11, 2021 in eBook and print, so you don’t have long to wait. I don’t know if there is such a thing as a perfect crime fiction novel, but this one will rank on everyone’s list. It checks all the right boxes and appends a few more in the process. I can’t wait to read the sequel. And yes, this thriller deserves to be made into a movie. So, take note, Netflix.
The Magehunters are no more, pulled down by the efforts of Jace and his Disciples of Arn. However, there is little time to get used to the new order of things, as Jace learns his father has been forcibly taken by the Church of Arn to serve out the remainder of his life as a warrior priest.
As a young mage, Jace needed to learn to control his magical might. Now he will learn power comes in many forms. To free his father, Jace must learn priest magic, the pitfalls of faith, and the downside of leadership. He must learn, then master these ideas, to even stand a chance against the leader of the church.
Morvane doesn’t want Jace’s father, he wants Jace’s power. Jace is all that stands between Morvane and a world that worships only those that hold power over others. Worse yet, when Jace uses his vaunted magical might against Morvane, his magic has no effect.
Where Magehunter, the first book of the series, is an extended coming of age story overlaid upon the makings of a good epic fantasy tale set in a world where those who wield magic are more common than not, Priesthunter rapidly evolves from a quest to find Jace’s father into a classic battle of magic between good and evil. Our hero, Jace Kendrick, returns with full command of his gifts, which have often seemed more of a curse to him, along with Amicus, his companion and former enemy. They set out for Elorien, the seat of the Church of Arn where they believe Angus, Jace’s father, has been pressed to return into the service of a Warrior Priest. The stakes quickly escalate as Jace discovers that Morvane, the head of the Church, has imprisoned Angus to serve as bait to lure Jace into a battle in expectation of stipping the young Mage’s powers.
Messick expands his magical world with layers of complexity added to the characters’ conflicts, both internals and external. It is a story of rival and seemingly mutually exclusive forms of magic derived from the gifts of a pantheon of gods that the characters are only beginning to realize exists. Previously they have believed that all magic was sourced in Arn. But as we learn from a witch who Jace and Amicus encounter, things are not quite as they may appear.
The romance between Jace and Lianna that blossomed in Magehunter strengthens as their relationship is tested under the threat of a powerful antagonist bent on destroying everything Jace holds dear. The compelling fantasy tale that results offers much for lovers or the genre and we’re told there’s more to come in the series with Roguehunter, book three of the series, already drafted and books four and five envisioned for the near future.
About the Author:
Jeff Messick is father, husband and author who lives in south Texas. Although he writes across almost every genre, excluding romance, he enjoys a splash of paranormal in his stories as evidenced by his first novel, Knights of the Shield, a mash-up of a police procedural detective murder mystery and a ghost story.
Most recently, he has penned the first two installments in the Magehunter Series, beginning with the series namesake, followed by Priesthunter. Yet to come are Roguehunter, Kinghunter, and Godhunter. He is also working on Lifeblood, a paranormal drama, and Aftermath, a sci-fi thriller.
It’s been a year since Justine Cook defeated an immortal enemy that had hunted her family for generations. Settling into a peaceful life with her boyfriend in the small town of Lantern Creek, Michigan, she hopes to escape the events of the summer before. But the past won’t let go so easily.
When a woman named Amanda Bennett survives a fall from a cliff on Mackinac Island, it triggers a series of events that reawakens the past. Soon Justine and her brother Adam are pulled into a mystery that threatens to destroy the new life they have worked so hard to create. As people begin to die- people only Amanda Bennett can see- Justine must race against time to destroy a dark power she thought she had buried the summer before.
SNOW IN SUMMER is Book 2 in the Yellow Wood Series and is scheduled for publication on 11.18.20. It is highly recommended that you read Book 1 in the series prior to reading Book 2 as many of the events from the first book have direct bearing on the characters and their many challenges in Book 2. Although the author does a good job of refreshing the reader’s memories where relevant, there is not a detailed summary of the previous work included. Having said that, the book stands alone fairly well as a compelling read with a solid plot and fast pace once the rationale for the extension of the previous story arc is established.
Justine and Dylan return from book one and the story is set in the summer following the events of Book 1 in the series. A new character, Amanda, is introduced early in the prologue, and her difficulties draw in the series’ returning characters. A portion of the story is set on picturesque Mackinac Island, a favorite vacation spot off the Lake Huron coast of northern Michigan, as Troy, Amanda’s lumberjack/horse trainer boyfriend has an apartment above the Calhoun stable near the Grand Hotel on the island. The strong romantic elements of the story present complicated triangles among the characters that challenge the stability of relationships, while the villain uses their human weaknesses to torment them and force a confrontation. Kemp does this extremely well while bending and twisting the paranormal elements of the backstory around the realism of the everyday struggles of the characters, like working their jobs, paying for school, and trying very hard to resist being drawn into the unsettled issues that remain from Book 1. The result is a mind-blowing, breathless, rollercoaster ride of life-threatening obstacles requiring tough choices and ingenuity to negotiate, while seeming plausible at an extraordinary level for a magical realism mash-up with a mystery/suspense/thriller.
Laura is a teacher who loves to write about her home state of Michigan. She has a B.A. in Creative Writing from Western Michigan University where she studied under Stuart Dybek, and has had her short fiction and poetry published in Chicken Soup for the Soul, Word Riot, Tonopalah Review, SaLit and SLAB: Sound and Literary Art Book. “The Pursuit of Happiness,” – a short story she wrote while at WMU, was chosen as a finalist in the Trial Balloon Fiction Contest.
When not writing, Laura enjoys musical theatre, hiking, swimming, reading and performing with her Celtic band- Si Bhaeg Si Mohr. She also enjoys spending time with her husband and children as well as her dog, two hamsters, two gerbils, ten chickens, two horses and eight (and counting) cats.
Naomi and Luke have only one thing in common: they both died by suicide. They can earn a second chance at life by efficiently guiding their loved ones through grieving their untimely deaths.
Naomi excels at making her friends and family mourn, but the Death Shadow stalks ever closer to Luke. The dark entity carries non-compliant souls straight to Oblivion where unspeakably terrifying torture and the final goodbye await.
The two are forced to work together to navigate the in-between world in which they’re stuck. The only certainty is that the rules are unclear and shifting, and things are not always as they seem.
The pair must prove they’re worthy of another shot at life before time runs out. Can Naomi and Luke get better at living now that they’re dead?
You’ve got to love an author who is willing to take chances, challenging norms, and pushing beyond the conventions of a genre. Penni Jones has done that with each of her previous novels: ON THE BRICKS and KRICKET. Although her writing has elements of mystery, suspense, and thrillers, there is always a gritty kind of realism as well. We can readily identify with her characters because they remind us of someone we know, or perhaps ourselves. She is frank, honest, and unafraid to tell us things others might decide not to. And what she says tends to be what we would think if we were in the same circumstances. This lends an immediacy to the story that allows the reader to become immersed into the story and care about what happens to its characters. SUICIDE SOULS is no different in its style but deviates from its siblings in subject matter. It is about life, death, and an afterlife that clearly is not exactly what the characters might have been led to expect. There is depth here that is subtly presented as a fairly simple, straight-forward story becomes more involved and complicated as the telling progresses. And in this, death becomes more and more like life, just with more frustrating differences.
As Naomi and Luke introduce themselves, we not only learn how they offed themselves but, over the course of the telling, we learn more than just the why. We learn about their character flaws, their insecurities, and their self-images that have followed them beyond death. Even though their physical natures perished with their bodies their self-images have followed them beyond the grave. For example, Naomi is busty and, in her own eyes, that has defined her relationships with men. Luke is insure about nearly everything including his obsession with superficial primary gender characteristics. Luke’s eyes rarely stray from Naomi’s boobs, even though they are merely echoes of what they were in life. As the story evolves, each of them must reconcile their pasts with their current situations. In due course, they come to realize how thin and vapid they were in their own lives – and perhaps why these flaws contributed to why they ended their lives. Although their lives were complicated and not all the different from the situations that define many of our own lives and those of our friends, they decided to end it all, only to learn that the end is only the beginning of a more complicated mess.
In death, Naomi and Luke’s existences become convoluted, confusing and, on the whole, a lot worse. Jones envisions an arbitrary structure that permeates everything around her characters as they navigate a minefield of manipulation and selfish intentions set against them. Redemption is not guaranteed as the author presents the world with a wry eye for the absurd and ill-conceived that reminds me of the societal commentaries embedded in the stories of Kurt Vonnegut Jr. Jones’ characters make do with their lots as they progress toward uncertain conclusions. What results is an often biting treatment of the human condition that attacks conventional aspirations, ambitions, hopes, and dreams with hellish potentials largely beyond the characters’ control. The taking of one’s life is not glorified. Far from it. Death here is not the escape from life that some assume but an inevitable consequence of a larger process. Nothing is given. Nothing can be taken for granted. Your situation may vary and is not intended to get better. The best anyone can do is paying a lot of attention to the decisions one makes. The result is an engaging story that becomes more compelling and even hilariously farcical at the conclusion.
Penni Jones is a writer, movie buff, concert t-shirt enthusiast, reluctant multi-tasker, grunge music listener, and blogger extraordinaire of Scapegoats and Sacred Cows Penni started writing stories as soon as she learned how to hold a pencil. She is an avid reader whose favorites include Mark Haskell Smith, Ariel Gore, Chuck Palahniuk, Kurt Vonnegut, Gillian Flynn, Christopher Moore, and Kelly Braffet.
Penni is an Arkansas native with a nomadic spirit. She holds a Bachelor’s Degree from St. Martin’s University in Lacey, Washington. She has worked as a bartender, restaurant manager, bank teller, payroll specialist, event planner, and office manager. These days she focuses on writing. She currently resides in Michigan and probably has too many pets. She is currently the Membership Chair of Michigan Sisters in Crime. Follow her on Twitter at .
In the Crescent City, darkness blurs the lines between sinners and saints.
Having been brought back through the veil after her death, Zéolie wakes to find she’s being cared for by the mother superior. Secrets are slowly revealed as Mother Micheaux explains her connection to the past Zéolie’s father kept hidden all her life. Once her strength has returned, Zéolie tries to ease back into her home and life without Louis, but soon finds herself helping a young man who mistakenly shows up at her house looking for his long-lost mother. Feeling compassion for the young man who is far from his home in France, she and the Marchon girls attempt to help him locate his mother while making him feel welcome.
Julien, the young man, finds himself strangely drawn to Zéolie and slowly loses his heart to her, but his feelings aren’t returned when Zéolie makes a new discovery that changes her life once more. Jilted, Julien unleashes his grief in the form of magical power he didn’t know he had and finds comfort in the friendship of a local madame. Out of control and angry, he succumbs to the darkness inside of him and the taunting voice of a raging spirit hungry for revenge.
Can Zéolie and her magical menagerie pull Julien back from the edge of hell, or will the past take them all down? Walk down the gritty dark streets of 1830s New Orleans where the line between sinner and saint is as blurred as the line between life and death.
As a follow up to the wild ride of CRESCENT CITY MOON, Nola Nash outdoes herself with the sequel, CRESCENT CITY SIN. I’m compelled to write spoiler alert here, but I will refrain from revealing any secrets. Having said that, if you haven’t yet started your journey into the freaky, surreal, spookiness that permeates The Crescent City Series, you need to punch your ticket now. Trust me, you need to start with CCM. However, you could easily read these two books out of sequence as each is solidly written and entertaining in its own right, though the second book would spoil some of the surprises of the first.
CCS begins shortly after the conclusion of CCM with a well-conceived, succinct first chapter that eerily links the two books, while reinforcing the underlying theme of the series, that the city of New Orleans is a world unto itself where natural laws are often subjectively applied. After all, voodoo is not only practiced but generally accepted as part of the subculture. So, it should be no surprise that witchcraft is practiced with often life-threatening consequences and the line between devout faith and magic is at best blurred or ignored altogether. The barrier of death can be transcended if you possess the method and means for the right reasons. Nash reminds us nothing in New Orleans stays buried for long.
Nash’s rare gift is weaving her descriptive settings and well-developed characters into the plot. Truly, the city she loves is a character in this story. It serves as a bridge between old and new, and an effective backdrop for the creepiest elements of this tale. The story ranks among the best I’ve ever read, both engaging and memorable. It becomes a fast read because of its pacing, which builds gradually to an adrenalin-pumping, gut-punching crescendo. And we’re left with a hint of yet another story to tell because, after all, nothing ever truly ends in the Crescent City.
Originally from south Louisiana, Nola Nash now makes her home in Brentwood , Tennessee, with her three children. Growing up in Baton Rouge, she spent long hours onstage or backstage in the local community theaters, or writing stories that refused to leave her head any other way than to be put on paper. Her biggest inspiration was the city of New Orleans that gave her at an early age a love of the magic, mystery, and history. There are few better places for her to dream up stories than walking through the French Quarter or Garden District imagining what those places could tell.
When she isn’t writing, Nola is teaching middle school English, which means she gets to play with words all day while dodging hormones and drama. Except for the school plays and musicals, that is. Then, she’s the one creating the drama. If the weather is warm enough, she’s out on her balcony tending her garden and suburban wildlife that hang out there. If the weather isn’t great, she’s geeking out over BBC America. When she can, Nola sneaks a few minutes to meditate (only a few minutes because meditating can lead to naps and those make her discombobulated.) She also considers tacos and coffee major food groups.
Based on Jessica Reino’s widely viewed and successful monthly Twitter chat with writing novices and successful authors, The Writer’s Zen is a tool for writers to use during their own journeys from concept to publication and the many different ways to get there. It will help writers stress less during the creative process and find a writing routine that works best for them on their way to publication. Jessica uses her experience as an editor, author, and a senior literary agent to explain the paths that a writer can take to writing success.
Anyone who desires to become a successful author must read this book.
Whether you have ever dreamed of being a professional author or are already on your way, THE WRITER’S ZEN is designed to help you explore alternatives to make the most of every opportunity. Best of all, it’s told in a friendly, conversive way offering advice based on the author’s wealth of experience as an author, editor and senior literary agent. Reino presents the various aspects of becoming successful regardless of the author’s background, prior writing experience, or prior knowledge of the publishing industry. She also exposes the changing nature and challenges of the digital age to old paradigms, including self-publishing and using social media in book marketing. As the title indicates, there is a Zen-like balance to be struck and a would-be author’s quest that goes well beyond the hard work and self discipline of harnessing basic composition skills in telling a story or expository, subject-based non-fiction writing.
There is something for everyone, and I highly recommend this book for anyone who aspires to write, whether it is a story, a text book, or the next great novel.
Jessica Reino is a literary agent and multi-genre author. She enjoys spending time with family and friends, developing new stories, and helping other writers achieve their goals. She is a member of the The Editorial Freelancers Association, The Women’s Fiction Writers Association, and The Society of Children’s Book Writers and Illustrators.
Jack and Rosie tried to return to their normal hacker lives after encountering the metal fae, but now people are disappearing. Their next-door neighbor Zelda, a psychobilly actress with a screaming habit, is on the receiving end of a home invasion by a living cloud that was likely meant for them. They’re not sure what they’re dealing with…and Rosie may have been infected by the same black dust as the missing locals.
She feels it drawing her out to sea, where the others disappeared. She knows better than to go, but when they exhaust their other options, Rosie follows the only lead she has; chasing the impulse she’s felt since encountering the black dust. It leads her to the Graves, an old lighthouse, where a Kindwraith has taken up residence. Instead of trying to kill Rosie, it heals her.
But if the Kindwraith is a helpful faerie…what’s eating people?
PHAROS picks up about a year after the events in PHAETHON, Book one of the series. Note: PHAROS stands alone well without prior knowledge of the series. Sharp does an excellent job dealing with the backstory without it seeming forced. Jack and Rosie’s life is dramatically altered from what it was before book one, but it has settled into a new normal as they coexist with not only the knowledge of the existence of the fae around them but also cohabiting with Lassie, a brownie introduced in book one. Here, Zelda, a new, quirky neighbor is introduced and she rapidly becomes an integral part of the story.
Character development is Sharp’s forte, spending the correct amount of attention to the relationships exposed through dialog and interactions. She expertly weaves the plot elements around the characters as she explores the new challenges before them. But it is her way of telling the story that makes this book a must-read. It feels real despite the far-fetched premise and surreal situations; she invites the reader to suspend disbelief, almost immediately immersing them in a fantasy world where magical realism is not only the norm even if most people don’t realize the truth, but also an elemental part of the interworkings of its nature. The resulting foundation defines the interactions of fae with humans and exposes how dangerous or beneficial it can be depending on dispositions and circumstances.
I thoroughly enjoyed PHAROS and already look forward to the next installment, which I understand is currently under development.
After a decade of touring the country, Rachel Sharp now lives in Vermont with several plants and her questionable sense of humor.
At time of writing, she is working on entirely too many projects. The previous statement will be true regardless of time of reading.
She also lives with chronic illness, plays ukulele, and tries to save the planet. Learn more about Rachel Sharp and her writing at her website. Get her books at Amazon and Pandamoon Publishing.
Matt Coleman’s Raquel “Rocky” Champagnolle is a magnificent creation – not only a protagonist but also a highly effective anti-heroine with a sharp tongue and a rare gift of being able to judge people (fairly accurately) at first glance. Often she is surprised when she first hears someone’s name, but that does not deter her from calling them by the name she prefers, the name their parents probably should have given them. The thing with names, though, is something Coleman uses with great effect throughout the story. It offsets Rocky’s otherwise uncanny perception. She is a natural problem solver, a born detective even if she is somewhat reluctant to take on the complicated mystery underlying this story. In fact, the only reason she dives into the convoluted mess is that the town’s richest old lady calls her fat.
Rocky is a likable friend, the sort you love hanging out with even if you now you’ll probably regret some, if not a lot, of what she eggs you on to do. At one point, Coleman discusses the gravity some people have, drawing other people so close that they have no other option but to settle into orbit. Rocky is just such a star. Following her as she meanders through this absurd corner of a farcical universe is an adventure that will compel you to turn the page expectantly, wondering what snark will next erupt.
Having just finished Matt Coleman’s latest novel and regretting that there isn’t another chapter left to read, I’m glad there will be more Rocky stories forthcoming. And who knows? Maybe at some point, she might team up with Ellis or The Drew from Juggling Kittens. I mean – they do live in the same general area.
I am grateful for the privilege of receiving an advance copy from the publisher in exchange for an honest appraisal. I have to tell you, each one of Coleman’s now three novels is strikingly different. And yet, they bear similarities beyond sharing an author. Each rests comfortably within the Grit Lit subgenre of mysteries. Each hosts a cast of memorable, quirky but relatable characters whose lives manage to spiral around at the fringes of sanity, skirting legality at times, while they try really hard to do what they feel is necessary whether anyone else feels it’s right or not. Reading one of Coleman’s books is an event I look forward to because of his amazing sense of irony and unwavering wit. I guarantee you’ll love this book every time you read it.