The past two years have been insane for everyone. I don’t need to tell you why. But it’s been extremely difficult for the publishing industry and especially hard on authors. You see, for most of us to succeed we need to make personal appearances to promote our books. Despite our wares being available online that is seldom the best way to attract readers.
So we have had to resort to other means to get the word out about our latest books. One of the good things that have come from it is the launching of The C & E Show on the Pandaverse Book Club channel on YouTube where Christine Gabriel and I interview other creative people like authors, artists, and others who are involved in the industry. Although we have a ready-made bench of talented writers who are also signed with Pandamoon Publishing, we have interviewed many authors we have met through our other associations apart from our publisher. Look for an exciting calendar of new guests for the coming year.
Back in October of last year, THUPERHEROES, the concluding installment of the Thuperman Trilogy launched. For those who live near Las Vegas, I will be scheduling some personal appearances as soon as the dark cloud of the pandemic has lifted. By then we will be close to releasing NINJA BREAD CASTLES, Book 2 of The FRIED WINDOWS Series. Be on the lookout for the Spring 2022 release date on that as well as pre-order availability through Amazon and Pandamoon Publishing website. Later in the year or early next year, will be the release of the long-awaited first book of the Wolfcats Series, DAMMERWALD. So, it will be a busy year for me. And 2023 promises to be just as busy with new releases from The Wolfcats and Fried Windows Series, and possibly the first of a new series as well. As all of my books share threads of continuity, being set in the same sets fictional universes, it will be like reconnecting with old friends as they appear in other stories.
As for some of the other exciting launches coming from Pandamoon:
Published December 15, 2021 by Pandamoon Publishing #Fantasy #Magic #Adventure
Madison Rosewood returns to the cloaked magical world of Everly on a mission to find her mother, unite the kingdom against her tyrannical father, and stop the execution of the Magics once and for all. Before her revolution can even begin, however, Madison quickly finds her new life in flames.
As she prepares for the upcoming confrontation with her father, Madison grapples with her masked grief as she struggles to both control her new magical abilities and be the leader that her friends and Everly expect her to be. Vengeful villagers, blood-thirsty mermaids, deadly energy storms, and unexpected romances challenge her at every step. Forced to turn to her enemies for help, Madison faces revelations and betrayal and in their wake must make a decision that will change every relationship she has in Everly, including the one with herself.
In the first book of the series, Bonney focused on establishing characters, the conflicts that would play out not only over the course of the first installment of the story but also the entire series. She also did a great deal of world-building so that we could experience the realm of Everly through the main character’s eyes. This is essential in fantasy writing because the physics of the created world might operate differently than the world with which we as readers are familiar. Since magic plays a key role in this story, ground rules were set for how it works and what the limitations are for its use. And the reader needs to know whether magic depends on the peculiarities of certain species or individual characters who may have mastered their abilities to stand out as somehow unique from others even of their own kind.
Bonney introduced us to Madison, who hates her nickname, Mad Dash, which she earned from her amazing speed on the high school track team, something that also gave her hope of a college scholarship. Despite her great ambitions, she suffers from several internal conflicts about her past and not knowing much about her parents, information about which her aunt who has cared for her since she was an infant has not been forthcoming. Her aunt has also been obsessed with preparing her with warrior skills well beyond mere self-defense. The adventure begins when Madison and her best friend Jason are lured into the fantastic world of Everly where magic is real and much less restricted than it is in our world. We are also introduced to the variety of mythical and magical beings that populate Everly.
In Book 2, Meg Bonney’s imagination unleashes greater detail and substance for the reader to explore as Madison and Jason return to Everly on a mission to save the magical beings from persecution and lead a revolution that everyone knows is necessary but hardly anyone seems eager to join or eagerly support. Madison’s heart is still broken over her tragic loss which intensifies her internal conflict. She is as irrational as any other teen can be, and her focus is divided at times, but her motives are pure. She wants to save Everly from her father who she blames for everything wrong with her life and Everly. In a real sense, the fantastic world around her seems to reflect her confusions and frustrations, serving as a metaphor for her life. She seeks revenge against her father and his tyrannical rule but also she fights against her own failing and uncertainty. What results is a solid and necessary next step in advancing the story and setting the stage for the third installment in the series.
Returning are all of the primary and most of the secondary characters from book one with whom we are familiar and whose stories we have invested in. But as the variety of Magics is expanded the reader experiences the diversity of culture and customs lending more of a realistic feel to the story. As was true of the first book, the story continues to have believable dialog despite the magical elements of the story and the fantastic environment of the settings. For example, Madison and Jason live comfortably safe amongst the Trolls who are extremely gifted at preparing meals. We also learn more about Mermaids and Witches as the story progresses and we root for the revolution that suffers as much from its ambitions as its disorganization. And there are some secrets that were hinted in Book 1 that are revealed as well as a surprise ending that foreshadows the major conflict ahead in Book 3.
Will Madison resolve the issues with heritage and spare her friends in Everly from the prohibition on magic? Rosewood Burning provides an exciting escape that I highly recommend as a continuation of the Everly franchise, which by the way, has been optioned for a future film or TV series.
About the Author:
Author Meg Bonney is a paralegal by day, a TV reviewer by night, and a writer every moment in between. Meg enjoys stories with strong emotional relationships that aren’t necessarily romantic. Her TV watching and writing have always been more focused in the sci-fi/fantasy genre where the stakes are high and the consequences are dire and because fairies, mermaids, monsters, and witches make her happy. Meg lives in Wisconsin with her husband, her two young daughters, two cats, three hermit crabs, and one very spoiled fish. Meg enjoys impromptu dance parties with her daughters, strong coffee, baking, and getting way too emotionally invested in fictional characters.
Has it really been 15 years? I guess so. That was the last time I was in a similar situation – frustrated to the extreme with Microsoft Windows. Granted, there have been interim occasions of dissatisfaction with the powers that be in Redmond, WA, but none rose to the level of my issues with Windows Vista.
In 2006, I bought into the hype for the next edition of latest and greatest OS in the world. I’d been a long term Windows user since 3.1 and as a computer tech, I knew most of the tips and tricks to fix things whenever anything went amiss. Windows XP was by far my favorite version, though Windows 2000 was a close second. It was by far the most stable and Microsoft OS that still offered the ease of connection to USB devices on the fly, a great advancement over Windows NT 4. But 2000 was intended for business. So the mainstream was stuck between Windows 98 and all its issues and Windows ME, with its even worse issues. All Windows XP had to be was better than its consumer OS predecessors, which admittedly was a fairly low bar. Still, anyone who was alive back then and used a computer regularly probably had an overall positive experience with XP.
As Window’s successor, Vista offered lots of eye-candy, gee-whiz features. On the surface it was attractive, but its system requirements for having all those things turned on was staggering. And even then, state of the art machines running it seemed sluggish at times. For how damned pretty it could be, most people didn’t use versions with all the bells and whistles simply because they didn’t need such configurations. Also, there was an extensive and confusing assortment of flavors to choose from. The problem with Vista was that it seemed more like an OS designed by a marketing team than a functional operating system intended for productivity during the day and entertainment during the evening. Essentially most people didn’t get the point of Vista and so, they didn’t buy into it. Unless they just bought a machine with it preinstalled, they didn’t use it. For the majority of Windows users who were on XP, nothing was wrong with what they were using. If they were up-to-date with the security packages, Vista just wasn’t a compelling alternative.
But then, there was me. I worked in a computer store at the time. And that usually meant that Microsoft would issue complimentary discs of the new operating system to employees so that they could experience the differences first and and recommend the OS to customers. For whatever reason, MS decided not to do that with Vista. Maybe they didn’t want all us techies knowing first hand what a bloated piece of crap Vista was. I can’t say. But I managed to get a copy of Vista, the ultimate version with all the bells and whistles because I had a machine at home with the specifications to run it. Once it was installed, it was gorgeous. But it also made my system struggle. It was noticeably slower. After a week or so, I had turned off most of the eye candy in lieu of performance. For the most part, I was running Windows XP with a Vista skin on top. It seemed pointless, really. After a month, I’d ditched Vista and reinstalled XP. And a few months after that, I configured a dual boot with a distribution of Linux and discovered that I actually preferred the latter because it didn’t freeze or crash at all. There were entire weeks that I didn’t even once use Windows. Despite the pain in the ass of configuring Linux to suit me (something that has admittedly improved by leaps and bounds since 2007) it was a pleasure to just come home from work and be able to boot up a computer and not need to worry about updates and new virus definitions and all the other intrinsic parts of living with Windows.
So, you might be asking how I ended up using a Mac.
I could blame it on my youngest daughter. Despite having a techie father, she never got the hang of Windows – or rather the Microsoft way of viewing productivity. That’s really why the learning curve for a newbie picking up a Windows computer is steeper than Mac OS. Windows is, in many ways, counterintuitive. A lot of that has to do with the layers of complexity under the hood that allow it to be backward compatible. You see, Microsoft must support a wider range of users and environments than Apple. MS does not have complete control over the hardware their operating system will support. And, even though it is not really necessary to become an expert user in order to function within the Windows environment, it is by far easier for a curious computer user to adversely impact the stability of the operating system than it is with Mac OS, simply because the latter is pretty much locked down. The Mac side of the computing universe is intended for a different type of user, one who simply wants to be able to depend on their machine working as soon as it’s turned on. Knowing this, I ended up buying an iMac for my daughter.
Now, since the store where I worked sold Apple computers, I was familiar with the Mac OS enough to show the basics to anyone who bought a system, even though I’d never owned one myself. But after giving my daughter the standard tutorial, what surprised me was how quickly she was up and running with her new computer. In less than two hours, she was doing things on her Mac that she had never mastered on her Windows PC. And after a day or so, she was at a level of comfort approaching expertise. It got me thinking that the Mac OS’s simplicity might be a solution to my greatest frustration with Windows. Plus, it was much easier to find and install applications for a Mac than it was at the time for Linux. So, about a month after my daughter began using her iMac, Dad bought an iBook, which was more than I needed for my experimental venture into the other side of the computing universe. And I began using it as my daily driver.
For the next six years, I was a Mac guy…until a MacBook Pro – one I ended up with after my son changed computers – stopped working in 2013. The sticker shock of replacing it nudged me back toward the darkness of Windows. I bought a Microsoft Surface tablet and a keyboard as my next personal computer solution. Although I hated Windows 8 that came installed on it, it did make some sense whenever I was in tablet mode, which I rarely used. As soon as Windows 10 was released, I immediately upgraded it. And though I have always had mixed feelings about Windows 10, I grew to understand and mostly tolerate its quirks. However, within a few years, I was back to using Linux again for everything except the handful of work-related things that required Windows.
This summer, with the next iteration of Windows looming in the near future, I downloaded and played with a developer version for about a month. I was not as impressed as I would need to be in order to want to upgrade. In fact, there are some ‘improvements’ I absolutely abhor. Plus the requirements of TPM 2.0 and Secure Boot for the final release version feel particularly onerous to someone like me who would be dual-booting between Linux and Windows just because I prefer using Linux. Staying with Windows 10 is an option, of course, but support for it will eventually expire in 2025. And so, I began rethinking my essential needs for a computer. The more I did, the more attractive the relatively new M1 MacBook Air seemed. Not only is it light and portable, which is something I’ve always desired in a laptop but have not had since my MS Surface Pro died, but also the M1 can run for hours on a charge allowing me to unplug in a realistic and usable way. Also, I can travel with my daily computer without it weighing me down or worrying about where the nearest charger is when I’m in an airport waiting to connect with a flight. At 13 inches for the screen, it is compact enough to fit between my belly and the next seat back when riding a coach.
Mainly, I wanted the MacBook Air for doing my writing. I wanted to be able to get away from my desk, maybe go downstairs to work on edits – or – sit in bed and compose a chapter or two. Whenever the world returns to some semblance of normalcy, perhaps I can take a walk to a coffee shop to do some creative writing. So far, I’m loving the new machine. The keyboard is excellent, the best experience I’ve had with a laptop. The touchpad, though I usually opt to use a mouse, is by far more functional than any I’ve used. Thus far, I haven’t needed to default to a mouse, so who knows? I might actually turn into a trackpadder.
I’ll still be using a dual boot machine with Windows and Linux on it to do a lot of my work. But already I have shifted some tasks to the MacBook and generally think I could do everything from it if need be. Beyond being a composition and editing tool for my writing projects, it has the power I need to edit and produce the videos Christine Gabriel and I do for the Pandaverse Book Club’s The C & E Show. I plan to test that in the near future, so check back for updates on my Mac adventure as my saga continues and evolves. For now, just knowing it is possible (even when I’m traveling) is a huge advantage.
As a father of three, two of them daughters, I struggled to find heroic stories to read to my girls. It was easy to find such fare for my son, but there was a gross absence of children’s books that offered a brave female with whom my girls could identify. And so I fabricated a few stories to tell them at bedtime. But the experience made me acutely aware of gender bias. And it has not been limited to children’s books. Gratefully, that is changing in all age groups, largely due to the explosion of great female authors who are unafraid to buck the system and create strong female protagonists in genres that in the past have been dominated by male main characters.
I had the great fortune to read an early version of 10 DAYS by Jule Selbo. Honestly, it read like a finished work with nothing major that I saw needing to be addressed, which didn’t surprise me. Selbo is a highly competent writer with oodles of experience as a playwright and she wrote numerous screenplays while working in Hollywood. Recently she has become an award winning novelist as well. 10 DAYS: A Dee Rommel Mystery #1 is her debut foray into Crime Mystery fiction, a genre she loves reading.
10 DAYS’ plot is solid, engaging, and compelling. The pacing feels perfect, building suspense toward a thrilling climax. Selbo’s cast of characters, even the minor ones, are authentic, well-developed to the point that some will become your friends while others will feel like enemies. The protagonist, Dee Rommel is, in a word, remarkable on so many levels that she is destined to become a fan favorite. She is a quick-witted badass in ever sense of the word with a burning desire to find justice for the wronged. It often compels her into risky, ill-advised, confrontations with bad guys as she champions her friends and family. And she does it all without toting a gun.
What Selbo accomplishes more than adequately establishes bedrock for the series yet to come. She creates an endearing female noir private investigator with whom most of us can identify. Selbo pays homage to genre archetypes while venturing into some largely uncharted territory, allowing the reader to share Dee’s dilemmas as well as overcoming the pain of her daily routine. We cheer for her because she’s just the kind of heroine who could easily be a sister or cousin. Her strong, overriding sense of justice and loyalty to her friends and family drives her always, even against mounting odds as her principal foil is fully revealed and fleshed out.
The book releases to the public worldwide on August 11, 2021 in eBook and print, so you don’t have long to wait. I don’t know if there is such a thing as a perfect crime fiction novel, but this one will rank on everyone’s list. It checks all the right boxes and appends a few more in the process. I can’t wait to read the sequel. And yes, this thriller deserves to be made into a movie. So, take note, Netflix.
I’ve spent the past few months revising several old manuscripts, one of them dating back to the days immediately after I finished the first draft of The Wolfcat Chronicles. I’ve breathed some new life and adventure into them prior to submitting them to my publisher. No guarantees any will be approved, but after investing the time, I’ve decided the stories are worth it. My most recent submission is a series called The Attributes, it’s two books plus a 5700 word short story prequel.
In case you don’t follow me on social media, please do to stay up to date on everything Elgon.
Lately, I’m sporting a Pandemic beard and have grown my hair out to a length it has not been since college. I’m thinking of keeping both, even if I look like Santa’s demented uncle. I may trim the hair and beard a bit before jetting to Florida next month to celebrate my great niece’s wedding. (Congrats Britters – I’ll post some pics if I can.) I don’t know, though. I’m kind of favoring the continued scruffiness. In my old age, I’ve become a rebel again. Leave comments.
On the personal front: Just before Thanksgiving last Fall I contracted the modern day plague. My son and daughter-in-law came down with it around the same time, and I was babysitting for my grandson when I must have been exposed. Definitely not something you want to catch, though my symptoms were not nearly as bad as my roommates, who I suspect caught it from me even with all the precautions of washing hands, wearing masks in the house, and being hyper focused on cleaning surfaces. You see, this virus is as highly contagious as the officials say. Two of my roommates ended up in the hospital, one was there for a bit on a respirator. It is a lottery how bad your response will be to this thing. I believe my immune system fought it off because I take doses of Vitamin D and am otherwise pretty healthy. I had about a week’s worth of aches and pains, a low grade fever that never went past 99.5 F, a cough, and a little nasal congestion. My senses of smell and taste have not yet fully returned, though I’d estimate they’re back to 90%.
Over the past month and a half, I have received both doses of the Pfizer vaccine, with no side effects other than my arm being sore around the vaccination site (the first time lingered longer than the second and was a bit more painful). Other than being tired for a day or so and my temperature running about half a degree higher than normal, I was blessed to survive it without much to report. Here are the options as I see it: catch this crud (as eventually you will) and take your chances on how severe your symptoms may become – or – take a couple of shots (the needle is fine gauge so you hardly feel it) and even if you’re one of the 5% who still catch the crud, you won’t have the severe consequences. Protect yourself, your loved ones, and neighbors.
As always, you will do you, but there’s my advice.
We are on track for the final book in the Thuperman series being published sometime this fall. Titled THUPERHEROES, it wraps up the summertime adventures of Will and Sandra, though they will appear as adult characters in future books. We’re also looking at DAMMERWALD, the long awaited Book 1 of The Wolfcat Chronicles, for later this year. And NINJA BREAD CASTLES, the sequel to FRIED WINDOWS, is also currently in edits and may make it to publication before the end of the year. Lots going on in 2021 in the world of Elgon.
The Magehunters are no more, pulled down by the efforts of Jace and his Disciples of Arn. However, there is little time to get used to the new order of things, as Jace learns his father has been forcibly taken by the Church of Arn to serve out the remainder of his life as a warrior priest.
As a young mage, Jace needed to learn to control his magical might. Now he will learn power comes in many forms. To free his father, Jace must learn priest magic, the pitfalls of faith, and the downside of leadership. He must learn, then master these ideas, to even stand a chance against the leader of the church.
Morvane doesn’t want Jace’s father, he wants Jace’s power. Jace is all that stands between Morvane and a world that worships only those that hold power over others. Worse yet, when Jace uses his vaunted magical might against Morvane, his magic has no effect.
Where Magehunter, the first book of the series, is an extended coming of age story overlaid upon the makings of a good epic fantasy tale set in a world where those who wield magic are more common than not, Priesthunter rapidly evolves from a quest to find Jace’s father into a classic battle of magic between good and evil. Our hero, Jace Kendrick, returns with full command of his gifts, which have often seemed more of a curse to him, along with Amicus, his companion and former enemy. They set out for Elorien, the seat of the Church of Arn where they believe Angus, Jace’s father, has been pressed to return into the service of a Warrior Priest. The stakes quickly escalate as Jace discovers that Morvane, the head of the Church, has imprisoned Angus to serve as bait to lure Jace into a battle in expectation of stipping the young Mage’s powers.
Messick expands his magical world with layers of complexity added to the characters’ conflicts, both internals and external. It is a story of rival and seemingly mutually exclusive forms of magic derived from the gifts of a pantheon of gods that the characters are only beginning to realize exists. Previously they have believed that all magic was sourced in Arn. But as we learn from a witch who Jace and Amicus encounter, things are not quite as they may appear.
The romance between Jace and Lianna that blossomed in Magehunter strengthens as their relationship is tested under the threat of a powerful antagonist bent on destroying everything Jace holds dear. The compelling fantasy tale that results offers much for lovers or the genre and we’re told there’s more to come in the series with Roguehunter, book three of the series, already drafted and books four and five envisioned for the near future.
About the Author:
Jeff Messick is father, husband and author who lives in south Texas. Although he writes across almost every genre, excluding romance, he enjoys a splash of paranormal in his stories as evidenced by his first novel, Knights of the Shield, a mash-up of a police procedural detective murder mystery and a ghost story.
Most recently, he has penned the first two installments in the Magehunter Series, beginning with the series namesake, followed by Priesthunter. Yet to come are Roguehunter, Kinghunter, and Godhunter. He is also working on Lifeblood, a paranormal drama, and Aftermath, a sci-fi thriller.
It’s been a year since Justine Cook defeated an immortal enemy that had hunted her family for generations. Settling into a peaceful life with her boyfriend in the small town of Lantern Creek, Michigan, she hopes to escape the events of the summer before. But the past won’t let go so easily.
When a woman named Amanda Bennett survives a fall from a cliff on Mackinac Island, it triggers a series of events that reawakens the past. Soon Justine and her brother Adam are pulled into a mystery that threatens to destroy the new life they have worked so hard to create. As people begin to die- people only Amanda Bennett can see- Justine must race against time to destroy a dark power she thought she had buried the summer before.
SNOW IN SUMMER is Book 2 in the Yellow Wood Series and is scheduled for publication on 11.18.20. It is highly recommended that you read Book 1 in the series prior to reading Book 2 as many of the events from the first book have direct bearing on the characters and their many challenges in Book 2. Although the author does a good job of refreshing the reader’s memories where relevant, there is not a detailed summary of the previous work included. Having said that, the book stands alone fairly well as a compelling read with a solid plot and fast pace once the rationale for the extension of the previous story arc is established.
Justine and Dylan return from book one and the story is set in the summer following the events of Book 1 in the series. A new character, Amanda, is introduced early in the prologue, and her difficulties draw in the series’ returning characters. A portion of the story is set on picturesque Mackinac Island, a favorite vacation spot off the Lake Huron coast of northern Michigan, as Troy, Amanda’s lumberjack/horse trainer boyfriend has an apartment above the Calhoun stable near the Grand Hotel on the island. The strong romantic elements of the story present complicated triangles among the characters that challenge the stability of relationships, while the villain uses their human weaknesses to torment them and force a confrontation. Kemp does this extremely well while bending and twisting the paranormal elements of the backstory around the realism of the everyday struggles of the characters, like working their jobs, paying for school, and trying very hard to resist being drawn into the unsettled issues that remain from Book 1. The result is a mind-blowing, breathless, rollercoaster ride of life-threatening obstacles requiring tough choices and ingenuity to negotiate, while seeming plausible at an extraordinary level for a magical realism mash-up with a mystery/suspense/thriller.
Laura is a teacher who loves to write about her home state of Michigan. She has a B.A. in Creative Writing from Western Michigan University where she studied under Stuart Dybek, and has had her short fiction and poetry published in Chicken Soup for the Soul, Word Riot, Tonopalah Review, SaLit and SLAB: Sound and Literary Art Book. “The Pursuit of Happiness,” – a short story she wrote while at WMU, was chosen as a finalist in the Trial Balloon Fiction Contest.
When not writing, Laura enjoys musical theatre, hiking, swimming, reading and performing with her Celtic band- Si Bhaeg Si Mohr. She also enjoys spending time with her husband and children as well as her dog, two hamsters, two gerbils, ten chickens, two horses and eight (and counting) cats.
Naomi and Luke have only one thing in common: they both died by suicide. They can earn a second chance at life by efficiently guiding their loved ones through grieving their untimely deaths.
Naomi excels at making her friends and family mourn, but the Death Shadow stalks ever closer to Luke. The dark entity carries non-compliant souls straight to Oblivion where unspeakably terrifying torture and the final goodbye await.
The two are forced to work together to navigate the in-between world in which they’re stuck. The only certainty is that the rules are unclear and shifting, and things are not always as they seem.
The pair must prove they’re worthy of another shot at life before time runs out. Can Naomi and Luke get better at living now that they’re dead?
You’ve got to love an author who is willing to take chances, challenging norms, and pushing beyond the conventions of a genre. Penni Jones has done that with each of her previous novels: ON THE BRICKS and KRICKET. Although her writing has elements of mystery, suspense, and thrillers, there is always a gritty kind of realism as well. We can readily identify with her characters because they remind us of someone we know, or perhaps ourselves. She is frank, honest, and unafraid to tell us things others might decide not to. And what she says tends to be what we would think if we were in the same circumstances. This lends an immediacy to the story that allows the reader to become immersed into the story and care about what happens to its characters. SUICIDE SOULS is no different in its style but deviates from its siblings in subject matter. It is about life, death, and an afterlife that clearly is not exactly what the characters might have been led to expect. There is depth here that is subtly presented as a fairly simple, straight-forward story becomes more involved and complicated as the telling progresses. And in this, death becomes more and more like life, just with more frustrating differences.
As Naomi and Luke introduce themselves, we not only learn how they offed themselves but, over the course of the telling, we learn more than just the why. We learn about their character flaws, their insecurities, and their self-images that have followed them beyond death. Even though their physical natures perished with their bodies their self-images have followed them beyond the grave. For example, Naomi is busty and, in her own eyes, that has defined her relationships with men. Luke is insure about nearly everything including his obsession with superficial primary gender characteristics. Luke’s eyes rarely stray from Naomi’s boobs, even though they are merely echoes of what they were in life. As the story evolves, each of them must reconcile their pasts with their current situations. In due course, they come to realize how thin and vapid they were in their own lives – and perhaps why these flaws contributed to why they ended their lives. Although their lives were complicated and not all the different from the situations that define many of our own lives and those of our friends, they decided to end it all, only to learn that the end is only the beginning of a more complicated mess.
In death, Naomi and Luke’s existences become convoluted, confusing and, on the whole, a lot worse. Jones envisions an arbitrary structure that permeates everything around her characters as they navigate a minefield of manipulation and selfish intentions set against them. Redemption is not guaranteed as the author presents the world with a wry eye for the absurd and ill-conceived that reminds me of the societal commentaries embedded in the stories of Kurt Vonnegut Jr. Jones’ characters make do with their lots as they progress toward uncertain conclusions. What results is an often biting treatment of the human condition that attacks conventional aspirations, ambitions, hopes, and dreams with hellish potentials largely beyond the characters’ control. The taking of one’s life is not glorified. Far from it. Death here is not the escape from life that some assume but an inevitable consequence of a larger process. Nothing is given. Nothing can be taken for granted. Your situation may vary and is not intended to get better. The best anyone can do is paying a lot of attention to the decisions one makes. The result is an engaging story that becomes more compelling and even hilariously farcical at the conclusion.
Penni Jones is a writer, movie buff, concert t-shirt enthusiast, reluctant multi-tasker, grunge music listener, and blogger extraordinaire of Scapegoats and Sacred Cows Penni started writing stories as soon as she learned how to hold a pencil. She is an avid reader whose favorites include Mark Haskell Smith, Ariel Gore, Chuck Palahniuk, Kurt Vonnegut, Gillian Flynn, Christopher Moore, and Kelly Braffet.
Penni is an Arkansas native with a nomadic spirit. She holds a Bachelor’s Degree from St. Martin’s University in Lacey, Washington. She has worked as a bartender, restaurant manager, bank teller, payroll specialist, event planner, and office manager. These days she focuses on writing. She currently resides in Michigan and probably has too many pets. She is currently the Membership Chair of Michigan Sisters in Crime. Follow her on Twitter at .
In the Crescent City, darkness blurs the lines between sinners and saints.
Having been brought back through the veil after her death, Zéolie wakes to find she’s being cared for by the mother superior. Secrets are slowly revealed as Mother Micheaux explains her connection to the past Zéolie’s father kept hidden all her life. Once her strength has returned, Zéolie tries to ease back into her home and life without Louis, but soon finds herself helping a young man who mistakenly shows up at her house looking for his long-lost mother. Feeling compassion for the young man who is far from his home in France, she and the Marchon girls attempt to help him locate his mother while making him feel welcome.
Julien, the young man, finds himself strangely drawn to Zéolie and slowly loses his heart to her, but his feelings aren’t returned when Zéolie makes a new discovery that changes her life once more. Jilted, Julien unleashes his grief in the form of magical power he didn’t know he had and finds comfort in the friendship of a local madame. Out of control and angry, he succumbs to the darkness inside of him and the taunting voice of a raging spirit hungry for revenge.
Can Zéolie and her magical menagerie pull Julien back from the edge of hell, or will the past take them all down? Walk down the gritty dark streets of 1830s New Orleans where the line between sinner and saint is as blurred as the line between life and death.
As a follow up to the wild ride of CRESCENT CITY MOON, Nola Nash outdoes herself with the sequel, CRESCENT CITY SIN. I’m compelled to write spoiler alert here, but I will refrain from revealing any secrets. Having said that, if you haven’t yet started your journey into the freaky, surreal, spookiness that permeates The Crescent City Series, you need to punch your ticket now. Trust me, you need to start with CCM. However, you could easily read these two books out of sequence as each is solidly written and entertaining in its own right, though the second book would spoil some of the surprises of the first.
CCS begins shortly after the conclusion of CCM with a well-conceived, succinct first chapter that eerily links the two books, while reinforcing the underlying theme of the series, that the city of New Orleans is a world unto itself where natural laws are often subjectively applied. After all, voodoo is not only practiced but generally accepted as part of the subculture. So, it should be no surprise that witchcraft is practiced with often life-threatening consequences and the line between devout faith and magic is at best blurred or ignored altogether. The barrier of death can be transcended if you possess the method and means for the right reasons. Nash reminds us nothing in New Orleans stays buried for long.
Nash’s rare gift is weaving her descriptive settings and well-developed characters into the plot. Truly, the city she loves is a character in this story. It serves as a bridge between old and new, and an effective backdrop for the creepiest elements of this tale. The story ranks among the best I’ve ever read, both engaging and memorable. It becomes a fast read because of its pacing, which builds gradually to an adrenalin-pumping, gut-punching crescendo. And we’re left with a hint of yet another story to tell because, after all, nothing ever truly ends in the Crescent City.
Originally from south Louisiana, Nola Nash now makes her home in Brentwood , Tennessee, with her three children. Growing up in Baton Rouge, she spent long hours onstage or backstage in the local community theaters, or writing stories that refused to leave her head any other way than to be put on paper. Her biggest inspiration was the city of New Orleans that gave her at an early age a love of the magic, mystery, and history. There are few better places for her to dream up stories than walking through the French Quarter or Garden District imagining what those places could tell.
When she isn’t writing, Nola is teaching middle school English, which means she gets to play with words all day while dodging hormones and drama. Except for the school plays and musicals, that is. Then, she’s the one creating the drama. If the weather is warm enough, she’s out on her balcony tending her garden and suburban wildlife that hang out there. If the weather isn’t great, she’s geeking out over BBC America. When she can, Nola sneaks a few minutes to meditate (only a few minutes because meditating can lead to naps and those make her discombobulated.) She also considers tacos and coffee major food groups.
Based on Jessica Reino’s widely viewed and successful monthly Twitter chat with writing novices and successful authors, The Writer’s Zen is a tool for writers to use during their own journeys from concept to publication and the many different ways to get there. It will help writers stress less during the creative process and find a writing routine that works best for them on their way to publication. Jessica uses her experience as an editor, author, and a senior literary agent to explain the paths that a writer can take to writing success.
Anyone who desires to become a successful author must read this book.
Whether you have ever dreamed of being a professional author or are already on your way, THE WRITER’S ZEN is designed to help you explore alternatives to make the most of every opportunity. Best of all, it’s told in a friendly, conversive way offering advice based on the author’s wealth of experience as an author, editor and senior literary agent. Reino presents the various aspects of becoming successful regardless of the author’s background, prior writing experience, or prior knowledge of the publishing industry. She also exposes the changing nature and challenges of the digital age to old paradigms, including self-publishing and using social media in book marketing. As the title indicates, there is a Zen-like balance to be struck and a would-be author’s quest that goes well beyond the hard work and self discipline of harnessing basic composition skills in telling a story or expository, subject-based non-fiction writing.
There is something for everyone, and I highly recommend this book for anyone who aspires to write, whether it is a story, a text book, or the next great novel.
Jessica Reino is a literary agent and multi-genre author. She enjoys spending time with family and friends, developing new stories, and helping other writers achieve their goals. She is a member of the The Editorial Freelancers Association, The Women’s Fiction Writers Association, and The Society of Children’s Book Writers and Illustrators.