Death is not always final…
Naomi and Luke have only one thing in common: they both died by suicide. They can earn a second chance at life by efficiently guiding their loved ones through grieving their untimely deaths.
Naomi excels at making her friends and family mourn, but the Death Shadow stalks ever closer to Luke. The dark entity carries non-compliant souls straight to Oblivion where unspeakably terrifying torture and the final goodbye await.
The two are forced to work together to navigate the in-between world in which they’re stuck. The only certainty is that the rules are unclear and shifting, and things are not always as they seem.
The pair must prove they’re worthy of another shot at life before time runs out. Can Naomi and Luke get better at living now that they’re dead?
You’ve got to love an author who is willing to take chances, challenging norms, and pushing beyond the conventions of a genre. Penni Jones has done that with each of her previous novels: ON THE BRICKS and KRICKET. Although her writing has elements of mystery, suspense, and thrillers, there is always a gritty kind of realism as well. We can readily identify with her characters because they remind us of someone we know, or perhaps ourselves. She is frank, honest, and unafraid to tell us things others might decide not to. And what she says tends to be what we would think if we were in the same circumstances. This lends an immediacy to the story that allows the reader to become immersed into the story and care about what happens to its characters. SUICIDE SOULS is no different in its style but deviates from its siblings in subject matter. It is about life, death, and an afterlife that clearly is not exactly what the characters might have been led to expect. There is depth here that is subtly presented as a fairly simple, straight-forward story becomes more involved and complicated as the telling progresses. And in this, death becomes more and more like life, just with more frustrating differences.
As Naomi and Luke introduce themselves, we not only learn how they offed themselves but, over the course of the telling, we learn more than just the why. We learn about their character flaws, their insecurities, and their self-images that have followed them beyond death. Even though their physical natures perished with their bodies their self-images have followed them beyond the grave. For example, Naomi is busty and, in her own eyes, that has defined her relationships with men. Luke is insure about nearly everything including his obsession with superficial primary gender characteristics. Luke’s eyes rarely stray from Naomi’s boobs, even though they are merely echoes of what they were in life. As the story evolves, each of them must reconcile their pasts with their current situations. In due course, they come to realize how thin and vapid they were in their own lives – and perhaps why these flaws contributed to why they ended their lives. Although their lives were complicated and not all the different from the situations that define many of our own lives and those of our friends, they decided to end it all, only to learn that the end is only the beginning of a more complicated mess.
In death, Naomi and Luke’s existences become convoluted, confusing and, on the whole, a lot worse. Jones envisions an arbitrary structure that permeates everything around her characters as they navigate a minefield of manipulation and selfish intentions set against them. Redemption is not guaranteed as the author presents the world with a wry eye for the absurd and ill-conceived that reminds me of the societal commentaries embedded in the stories of Kurt Vonnegut Jr. Jones’ characters make do with their lots as they progress toward uncertain conclusions. What results is an often biting treatment of the human condition that attacks conventional aspirations, ambitions, hopes, and dreams with hellish potentials largely beyond the characters’ control. The taking of one’s life is not glorified. Far from it. Death here is not the escape from life that some assume but an inevitable consequence of a larger process. Nothing is given. Nothing can be taken for granted. Your situation may vary and is not intended to get better. The best anyone can do is paying a lot of attention to the decisions one makes. The result is an engaging story that becomes more compelling and even hilariously farcical at the conclusion.
Penni Jones is a writer, movie buff, concert t-shirt enthusiast, reluctant multi-tasker, grunge music listener, and blogger extraordinaire of Scapegoats and Sacred Cows
Penni started writing stories as soon as she learned how to hold a pencil. She is an avid reader whose favorites include Mark Haskell Smith, Ariel Gore, Chuck Palahniuk, Kurt Vonnegut, Gillian Flynn, Christopher Moore, and Kelly Braffet.
Penni is an Arkansas native with a nomadic spirit. She holds a Bachelor’s Degree from St. Martin’s University in Lacey, Washington. She has worked as a bartender, restaurant manager, bank teller, payroll specialist, event planner, and office manager. These days she focuses on writing. She currently resides in Michigan and probably has too many pets. She is currently the Membership Chair of Michigan Sisters in Crime. Follow her on Twitter at .